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I’m something at Igor

I don’t know what I am at him. I want to say angry but that doesn’t feel right.

Here is what I know. When I started seeing Igor I wanted to go home. Back then I knew where home was. I hated where I was. I still wanted a baby even though I knew I would never have one. And I knew I wanted to write and publish a book. Back then there were things that I knew that I wanted.

Now, two and a half years later, I don’t want to move back to Chicago. Now I am okay with being where I am. That may sound like progress to you but to me, as of last week, I started to wonder if it was apathy, surrender, and a general loss of hope. I have no desire to have a child, I am too old and that ship has sailed. And I have absolutely no desire to publish a book. None. And I would like to blame that last one on Igor only all the credit for that lost dream goes to iPad. As soon as I started to read books on iPad I no longer had any desire to publish a book. To want to publish a book in today’s publishing world is like wanting to break into silent film just as the talkies came out. Books, I am afraid, are a dinosaur that is moving into hospice care ( Borders is shutting down stores and when you go into Barnes and Noble and they are selling a device that will soon make their store unnecessary, and Amazon is now selling more electronic books than actual books). As soon as I read my first book on an iPad I just didn’t care about publishing anymore, video had killed the radio star. I am already working in the realm of digital media. I have two blogs and a web page. That is much online presence as I want.  I don’t want to publish “books” for Kindle. Does that mean I am old and outdated? Or does it just mean I know what I don’t want?
Continue reading ‘I’m something at Igor’

Titles Matter/Names Don’t

I am not a big believer in the maxim that you can’t tell a book by its cover. That idea is a kind of Cartesian split which says that the inner and outer are separate and distinct, but they aren’t. The cover is part of the book and it tells me something about the book, at least it better. I know that publishing houses have teams of experts who decide on the best colors, fonts, foregrounds and backgrounds that will sell the story inside.  The graphics and the author’s photographs are all analyzed and scrutinized to create a book that is sellable and appealing and consistent with the message that lives inside the cover.

Titles are especially telling. As of late I have become a bit obsessed with book titles. It started with a fish out of water memoir that I am hesitant to name, not because I didn’t like the book—I did like the book. It is just that the title of the book was wrong and I feel disinclined to openly take the book to task for its bad name and it really is bad. Not that isn’t true, it is a fine title. It just shouldn’t be the title for this book. The problem with the title was that I believed the title and I believed that I was going to get a story that reflected what the title implied. Some may say, “it’s just a title. For goodness sakes, Belette, you said you enjoyed the book. Isn’t that enough? Why are you so hung up on the  gosh darn title?” I’ll tell you why. If I go to the store and buy a jar of mayonnaise and bring it home to add a heaping tablespoon of it to my tuna salad and it turns out it was Cool Whip or horseradish I am not going to enjoy my tuna salad. Not that there is anything wrong with horseradish (I refuse to say nice things about Cool Whip) it just wasn’t what was on the label.

Whomever chose the title of the aforementioned book had wanted this book to attract women who like Audrey Hepburn and/or books with Prada in the title. I feel sure it wasn’t the author as the title wasn’t consistent with her voice. I hope that she made an impassioned argument against the title and that she ultimately relented out of promises that if she would agree to their suggested title that she would be the biggest thing since Elizabeth Gilbert, one is liable to make all kinds of concessions with such a promise.

I am not sure if you know this, I don’t think I have ever told you, but I love the title “Thursdays with Igor”. I am pretty attached to it. The title, for me, is part of what gives the book its spirit and its structure and I dread (and highly anticipate) someday find myself in a meeting with powerful people who have paid me money for my book telling me that they want me to call the book “Dr. Freud 90210″ or “The Prada Patient” or worse “Psychoanalysis in a little black dress”. I like to tell myself that this wouldn’t happen and if it did that I wouldn’t cave and yet if someone is telling me that such a title could persuade Sandra Bullock to buy the film rights, I cannot be sure of what I would do ( actually, I am pretty sure what I would do and yet I want to appear to you as if I would struggle with the decision). That said, I know that there is so much about the title that I love. “Thursdays” tells you that this is a ritual. “Thursdays” says that this is something that is scheduled for, planned for and anticipated. “With” tells you that Igor and I are in this together and he isn’t the expert—we both are. And “Igor”, to my mind, tells you a little about him being foreign and how every word he says to me has an accent.

Okay so back to the Prada/Audrey Hepburn inspired fish out of water memoir, the whole time I was reading this ill-named memoir I kept thinking “but where is the girl that they were talking about on the cover? That is not THIS girl.” What I am saying is that for me this title ruined my read. If the book had no title I would have enjoyed this book 100% more than I did.

In opposition to this unnamed/ill-named memoir there are two books whose titles got me through some really hard places in their prose. The first book is my friend’s, Laura Munson’s, This is Not the Story You Think It Is. This is one of my favorite titles ever, it is right up there next to Dave Egger’s A Heartbreaking Work of Staggering Genius (so many of my favorite titles come from authors in Lake Forest. Coincidence? I think not. ). What I LOVE about Laura’s title is that each and every time I made a decision about how her story was going to go or making any assumptions at all, her title would come to me and gently remind me “This is not the story you think it is.” This title changed the way I read her book and for that I am grateful to the title.

I just finished reading Abigail Thomas’ A Three Dog Life. Let me tell you that without the title and without the cover of Abigail sitting on a comfy couch, the kind you can imagine sitting on for hours and drinking tea and eating shortbread, with her three dogs, I could have not gotten past the second chapter and that isn’t because this isn’t a wonderful book—it is—it is just a hard place that Abigail finds herself. As I read Abigail’s painfully beautiful prose describing her life after her husband’s traumatic brain injury that required him to leave their home and live in an institution it was the dogs I would hold onto. Even when they weren’t there, in the early chapters, I would tell myself, “She’s not alone. The dogs are there. She has the dogs.” It took a while for the dogs to find their home in the memoir, Abigail had other stories to tell about her husband’s hallucinations, psychotic episodes and his highly poetic manor of speech. If by page 78 there had not been the dogs I wouldn’t have been able to go on—the pain would have been to much. As a reader I needed those dogs to sit by my feet as I read about the grief, the loss and despair that I felt as I imagined myself in her shoes. That said, I can imagine Abigail’s book without the dogs and I feel sure Abigail would have found a way to go on without Rosie, Harry and Carolina—but there would HAVE to have been another title.  If there were just teases of dogs with that title and no real interactions with her pack, I, as a reader, couldn’t have taken it.

***

My father gave me a first name that he considered lacking in gravitas, he told me so. And when he would talk about this he would always remind me of his largess in giving me a middle name that he thought was more serious, “So just in case you ever do anything serious with your life you can go by your middle name.” I would bristle each time he would bring this up. I always hated my first name. In middle school I started threatening to change my name to Blaire-Hamilton. I wanted two first names, names that sounded like I might be the first female President of the United States. I didn’t want a name that made people think of cheerleaders or porn stars. It wasn’t until the summer of my freshmen year of  high school when I saw a journalist with my exact name (different spelling) in Vogue magazine that I decided my father was wrong. I could do important things with the name he gave me, even though I would prefer to have a name that immediately makes one think of great literature and not of an archetypal cheerleader.

***

When and if I publish “Thursdays with Igor” I hope that the title will remain. And, I can tell you, that I will not be going by my middle name when and if I publish, so take that Daddy-O. I will be going by my first name that lacks gravitas and my married name that makes me sound like a Greek shipping heiress.

Oh, and another thing: Part 2 of the session in which I thought nothing would happen

When we last met we were talking about the book and publishing and what all that means to me, as you know if you read Friday’s post.  But on Friday I didn’t get to the part in the session in which I was telling Igor my personal myth and how this myth seems to run in my mind like a kind of fatal error that I don’t know the html code to reprogram.

“So here is my myth,” I said it like some grand pronouncement. I left space after I said it with full awareness that what I had just said had been an incomplete sentence. Yet I knew that there needed to be space between the introduction and the actual content and that if I rushed it and didn’t leave my listener hanging for a bit that the importance of what was to follow might be missed. I know enough about comic timing to wait for the laugh, only I suppose this myth isn’t really very funny.

“It goes like this: I am loaded with potential. I am the one in the class who was told she would publish in the New Yorker.  I was told by professors that I was the one they were sure would “make-it” and I was told by my infertility doctors that I had fantastic eggs and had an excellent response to the stimulating drugs and that our embryos were all grade-A and that they were very hopeful and then nothing happened—no baby. I am the girl who has loads of potential and no fulfillment. I am all promise and no completion. That is my myth.”

“And what I worry that the same is true with my writing. I have lots of potential and yet I will never publish a book.”  I said that much more ebulliently than was fitting for what I had just said. Therapists are always on the look out for times when clients say things that should be loaded with emotion and are said flatly or for times when there is a dissonance between message and meaning. This was one of those times.

I went on, “This thought is always there  in the background whenever I think about my writing and the better things are going the more that the myth seems to pop up like an unwelcome weasel. It is there in the back of my mind, running like the text scrawl on the bottom of the screen on CNN, even as everything is going great and the big picture looks really-really good—the myth is there reminding me that all this potential and promise is nothing but a set up for a cosmic joke. Only I am not at all sure who has set up the joke and who is finding my failure to fulfill my potential as so fantastically funny.”

“So what if you gave up?” Igor asked.

“Huh?”

“What if you told yourself whatever I create goes into the void? What if you embraced that? What if you told yourself that your myth was true and you embraced it”

Igor might as well have asked me to jump from the ledge of his fourth-floor window, “Are you kidding me? It would kill me. Are you saying to live without the goal of publishing? I couldn’t.” I got antsy and sweaty and I took off my cardigan. I was reacting like an addict who had just been asked to get off of his/her drug of choice.

“No, seriously. I couldn’t. If I gave up hope on giving up on publishing it would kill me.”

I could see in Igor’s face that he didn’t believe it would and so I reminded him of times in our work together when I had lost hope and how depressed I had been and how much despair I felt—and how horrible those times have been.

“Yes, I know that it feels that way. But every time you have let go of the goal something has happened.”

I didn’t have the presence of mind to ask him for examples. I want examples. I want them written down and alphabetized and notarized. I want a document that proves that what he is saying is true. As for today I am still completely unsold on his suggestion. In the session I ignored his assertion and moved on to what I have already given up on. “I gave up on having kids. Isn’t that enough? Should I give up on hoping to publish too? No, I couldn’t. Really, it would kill me not to have a goal.”

“Would it really kill you? How would your life be if you gave up on the goal of publishing this book? How would it be different?”

My thoughts raced and I wasn’t able to answer his question directly, I only knew that I felt like he was asking me to give up my life preserver and that my life-instinct was feeling particularly strong and that I had no intention of giving up on hoping to publish. Only he wasn’t really asking me to give up on that hope—he was asking me to embrace the myth that I was already holding onto and to see what would happen if I did.

A few months ago after a particularly bad bout of self-doubt, He-weasel and I were at my favorite Peruvian restaurant. As I devoured spicy muscles and bits of octopus with hedonistic gusto, I told He-weasel something straight out of a Disney comedy. I wished out loud to have my desire to be a writer taken from me.  It is a wish I had made many times before about having a baby. If I couldn’t have a baby I wanted to no longer have the desire to have one—it seemed only fair. In the Disney movie version of my life in which I would have been played by Lindsay Lohan( pre-jail), I would have instantly lost my desire to write and then I would have learned how valuable it was to write and by the end of the third act I would be desperately trying to get the wish to write back by the end of the film I would have learned my lesson and I would have gotten my writing mojo back and I would have gotten a book deal. Only this wasn’t the Disney version of my life.

He-weasel responded to me in a way that made me want to pick up the empty mussel shells that sat on my plate and throw them at him. “You can’t. You can’t give up. You are a writer. It is who you are. No matter if you publish or not, you are a writer. If your laptop was taken away you would write on paper. If your paper was taken away you would write on the wall. If there was no wall you would write on your body…writing is what you do. You can’t not write.”  In that moment I felt like a somewhat modified Salieri. I didn’t want to be a writer if I wasn’t a writer with a published book. Instead of throwing mussels at him I went home and wrote about being mad at him and how he didn’t understand and how awful it was that he used a double negative. But even as I vented to my journal about how he didn’t understood me, I knew he was right.

I am not far enough along with all of this to know what it means. And as of yet I am not able to take Igor’s advice. I can tell you that I have been thinking a lot about hope. I have been thinking about how Igor says that holding hope for clients in psychotherapy can be sadistic. I have been thinking about what my boy-friend, James Hillman*, says about hope, “Hope is an evil. It was the one evil left in the box when Pandora snapped the lid back shut. Hope is about the unknown future. It’s like the promise of salvation in the afterlife…I just think we should pay attention to what is here right now. It’s this hope thing that has gotten the planet into such a mess. If we paid attention to what was true right now, instead of what we hoped would be true in the future, the world would look very different.” I am not sure how this relates to everything I have said before, maybe you do and if you do I invite you to tell me. The only phrase that comes to mind is a Latin one, sorry if that sounds fancy-pants, but it was the phrase that my psyche gave me and my psyche does have a tendency towards fancy-pants, it is Amor Fati which means “love your fate”. I wish my psyche would think of something else, something more constructive. And if my psyche doesn’t have anything nice to say I wish it would just shut up. If it doesn’t I will reward it for its bright ideas by watching “The Real Housewives of Washington D.C.”, that’ll teach it to bust out Latin on me.

* Just in case you are new to the blog, I have non-dangerous and completely harmless delusions that James Hillman is my intellectual-boyfriend( i.e. the boyfriend of my mind). Hillman doesn’t know anything about this and it is probably best that we keep it this way.

About Me

My name is Tracey, aka La Belette Rouge. I am a psychotherapist and the author of Freudian Sip @ Psychology Today. I blog about psychology, my therapy, dreams, writing, meaning making, home, longing, loss, infertility and other things that delight or inspire me. I try to make deep and elusive psychodynamic concepts accessible and funny. For more information, click here .

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