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The rye may be dry but my eyes are not

Many moon pies ago Randal of L’ennui mélodieux and I entered into an arrangement. Here was the deal, I would write a sports piece if Randal would write about shoes. I kept my end of the bargain here, here and here. Randal was not as quick to put his shoes where his mouth was. I gently reminded him whenever an opportunity arose that he owed me a shoe or two.

Yesterday, as I wrote a post about what I wanted from Santa, Randal wrote a post entitled, “How will I ever weasel out of this one?” in which he gave me more than I could have ever asked from Santa and more than is possible to achieve in a single shoe post. Randal describes his post: ‘Though this isn’t The Shoe Post®, as I’ve yet to replace my nearly falling apart sneakers, this is far more creative in its own twisted way than that post could ever hope to be. Pardonnes-moi, ton amie, mais ton histoire, postscript. “

Randal has gone and written a story inspired by this weasel’s love of Holden Caufield in the Catcher in the Rye that made this weasel cry. This gorgeous literary offering is now and will forever more be in the file of “things I most treasure.” I am absolutely sure you will love it as much as I do. Thank you Randal for letting me post it here. Et merci beaucoup mon ami por votre histoire tres belle.

This rye is dry

She sipped le café the way a nurse, through years and years of training for weaving through mountainous student loan debt thrown at her by irate patients and the occasional, arrogant doctor, would nurse hers. Yet she wasn’t a sipper but a dreamer roaming fields of rye and playing catch with Josh Gibson and Johnny Bench and Roy Campanella and Phoebe — no, no, no, that’s all wrong. Hold on a moment. Hold on. Holden.

Everywhere her eyes, framed by hair the color of a crackling match, glanced, she saw him. Why he should deign to be in this slate-grey, nondescript, yet overpriced, brasserie at 24, boulevard des Italiens, especially when he was once upon a time, and has remained so, a work of fiction, her heart refused to answer.

Everything was grey. The tables, the light fixtures, the marble counter and the glasses of varying width and height seated upon it, the beer tap, the wallpaper of wine bottles, the wood paneling, the patrons. Oh sure, your eyes would have told you that you saw waves of brown tinted with blue and red and green, perhaps a dash of gold, black leather or a sliver of silver, but they would be lying, obfuscating. Grey was all her eyes, framed by hair the color of a child’s red Crayola, saw.

“Monsieur, monsieur, je n’ai pas demandé le pain de seigle.” The waiter turned to look at her, but his grey eyes and his grey smile spoke as if she had uttered something in Tocharian A. She was sure that she had spoken proper, if with an American accent, French. After disappearing and reappearing from the back within mere moments as if he were a figment of the camera’s imagination — she hadn’t noticed any doors — le garçon had brought her another plate of dry, rye bread. Grey, dry, rye bread.

Valencia, with its veil of shining smog, was a lifetime away. She pushed the grey, dry, rye bread away towards a Paris, its mirror image, its evil twin, lying in wait, hiding in the dark flagstones and darker pavement. She cupped her chin in her hand and sighed, her elbow nearly slipping on the slick, Orange Glo-ed surface. She knew that scent, every Yankee did, and stifled a laugh at the notion of such a faux fancy place, ha ha ha HA ha, stooping to use a low-class product, blissfully unaware of those that were, after all, aware.

The walls of wine bottles were lit by the flat rays of a dying sun shooting off the passing parade of chaussures éteintes traipsing their elegantly bourgeois way towards l’Opéra Garnier; she wondered what was playing. Such a patent leather sheen, if there had indeed been a sheen instead of slabs of rain-saturated clouds masquerading as shoes, could be dangerous to caribous and barbies, she thought. A brainstorm of nonsequiturism rooted in nothing but grey particulars was rudely interrupted by the stark sequitur of a single red shoe and a ray, not of weak light, but of passionate fire blasting off that rich patch of scarlet to shatter the windows, sending shards 360° in brazen defiance of the laws of physics, except for those really colossal explosions you see in the best action movies and random episodes of CSI.

The flame disappearing within the superheat and a sparkle of blowback feeding upon itself, streaks of charcoal air drew themselves over her eyes, the wan electric lights outside immediately painted the soft glow of a gaslit century long gone save in the history books and those of bad fiction. Waxing heartbroken over her unfulfilled dreams would have to wait as the shrapnel continued on its path, deadly to any mortal foolish enough to be on that road and not another, quality of soul and of sole be damned. A solid heel might come in handy when sprinting away from — just dive already!

Only the unnursed but sipped cup catching the rocketing shards saved her ducking brain from being split into the halves swimming in formaldehyde situated on a black bed of that waxy goo segmented worms were cruelly pinned down to during high school biology by a maniacal instructor always decked out in ugly black hornrims and a hideous tie. This way and that the patrons scattered, les garçons, les femmes, les chiens, les belettes.

“Phonies, all of ‘em. Are you alright?”

Still shaken and unsure if she had heard a voice or merely the reverberations of that hellish conflagration, she was aware enough to realize she was prone. And uninjured. Fiercely closing her eyes in order to wash the fine detritus from them with manufactured tears, she opened them just as quickly to see a being with one red shoe. r />
Looking up at a hand seemingly suspended in midair, she directed her gaze further into the hot, swirling dust to see not a ghost, but a flesh and blood man.

“Here, let me help you. I’m Holden.”

Reasons to be happy

1. I saw my Hair Angel again yesterday and not only did she take care of the pesky reminders of my aging, decay and slow decline into old age and AARP membership—but she also put in some lovely coppery red highlights that add both light and depth to my already gorgeous colour. As I watched her do things to my hair with a round brush that only a direct representative of the divine could do, I thought that, in the right light, I looked not altogether horrible and that my hair looked fantastic. Please forgive my hubris. It is a natural compensation for how I have been hating on my hair before the Celestial Coiffure took over the care and maintenance of my crowning glory.

The bad news for me is that my Hair Angel may be going on a reality show which I am sure she will win and as she is so pretty she will probably be discovered and give up the bleach and the blow dryer for a big paying show biz job. Yep, I live in L.A. I am happy that my Hair Angel is on her way to fame and fortune but, Hair devil that I am, I just don’t want to give up the good hair.

2. This weekend I am going to meet Miss Janey of Miss Janey’s Place. This weasel feels like she is going to meet a movie star. Ms. Weasel is extremely happy to meet Miss Janey.

3. The Vitamin W seems to be working.

4. Eddie Izzard is going to be in London from November 17-December 12th and I so want to go. If you are in London will you please go for me? He is at the Lyric Theatre on Shaftesbury Avenue. I can send you directions if you need them. If you were so inclined, pre-theater I wouldn’t mind if you stopped in at Harvey Nichols and found a little something for me to wear. And, perhaps after the theater you could pop into Gordon Ramsay’s at the London and grab a bite to eat for me. Champagne might be nice.

5. Obama’s numbers make me happy–very,very,very happy.

6. I feel loved.
My friend Danute is visiting me from Chicago on Sunday. She is my first Chicago friend to leave lovely fall in order to spend time with me in the 95 degree fall of L.A; the land where leaves do not fall, stars do( i.e., Britney, Lindsey and the like). And, no, there are no pumpkins for carving or apples for bobbing; watermelon carving contests and dunk your body in the swimming pool contests are what goes on in L.A. this time of year.

7. I feel more loved.
The very lovely K.line has kindly awarded me with the “I love your blog award.” The feeling is mutual K.line. I only wish I had found your blog sooner!

Lucky me, I get to pass on the love to seven other blogs. I love all of them all for so many reasons—but today I am celebrating what they can do that I cannot.

The Storialist who writes poems that make me wish I could, but I can’t–so, I won’t.

Miss Cavendish who is more stylish than I could ever dream of being—and, she makes bunny ears seem super chic.

Adventures, Ink who has an amazing way with pen and ink—and a story. I do okay with colouring books. This talented woman makes imagery that ought to be in books.

Freida Bee who lives in Austin and seems to be happy there ( something I was not able to do). And, she makes politics and pathos funny.

My Wardrobe Today who can manage to look so good every single day that she is willing to photograph her ensemble and share it with her grateful readers.

Della Street Dreaming who can mix prints and patterns in a way I would never have the courage to dare. Della’s Leggo people soap opera on her side margin is also quite impressive.

Zen Chef who can cook things like Seared Sea Scallops with sweet corn cream, quail egg and black truffle. While I had a handful of Cheez-its and a pear cider for dinner last night.

Please share some of your reasons to be happy today. I always LOVE hearing them; they make me happy.

“She had multiple identies and each one of them had a credit card”

Once upon a time, many, many, many years ago—back when I subscribed to Interview Magazine and wow that was back when Andy Warhol was the editor and I thought I was going to move to New York and marry my first love and work in an art gallery and I hadn’t even started therapy or moved from highlights into all over hair colour and didn’t use eye cream or sunblock—I fell in love with someone and I didn’t even know his name.

It was his work that got me. I saw his paintings with humorous prose and witty one-liners written to describe the doings of distinctively painted models with elongated forms and minimalist faces. I had never before seen anything like it when flipping through my five pounds of Vogue ads. The perfume scented ads usually featured beautiful airbrushed and anorexic models in preposterous poses and ludicrous locations.

The very first one I saw I immediately tore from the magazine and tacked onto my bedroom wall with a push pin that had once held up a Parker Stevenson poster. At the time I had no idea who did these unusual ads but I didn’t care and as I didn’t have the internet to Google to find out who was responsible for this wonderful work I enjoyed the authorless illustrations. Yes, I did have an Apple IIe computer a dot matrix printer and a slot for 5 1/2 inch floppy disks—but I did not have the fancy internet that everyone was talking about. It would be years before I dared to subscribe to AOL and hear those three magic words,”You’ve got mail.”

I started to collect these ads for their wicked wit and enormous whimsy—each one had a punch line as powerful as the picture. I imagined that one day I would have a penthouse on Park Avenue and some overpriced decorator would indulge my desire to have a wall filled with Barneys New York ads matted with linen from Milan and gold frames made for the Metropolitan Museum of Art. The art found in $5 magazines with thousand dollar frames would hang on the hallway that led to my enormous walk in closet. This, please remember, was the era of Lifestyles of the Rich and Famous and thanks to Robin Leach I knew a little about Champagne wishes and caviar dreams.

After a few moves into a series of non-Park Avenue and non-penthousey apartments I somehow lost the folder full of ads. I was sadder than if I had lost the Robert Doisneau framed prints of puckering paramours in Paris that I had bought at Z Gallery. I was so desperate to replace my beloved ads that I called Barneys New York and asked them if they could tell me who did the illustrations and whether or not there was a book of all these ads or a way for me to get copies of them. A cliche’ of a New York sales associate took my message with as much disdain as she could muster. Barneys did not call me back. I called again and left another message and suffered yet another sales associate and yet again there was no call. Exacerbated, I wrote to Barney’s and I waited for them to write me back and they never did.

When I first saw Badaude’s and Editorialist’s Up and Down Town blogs which both feature beautiful illustrations paired with witty text I immediately thought of my love affair with Barneys New York ads and the nameless illustrator who made them. But, it was yesterday when I was reading one of my favorite blogs The Storialist, who uses the Sartorialist’s images as a source of inspiration for her poetry, and I left a comment in which I told her that her words gave me a whole new appreciation for the Sartorialist’s fashion photographs.

It was that very comment to the Storialist that got me to Googling for the Barneys New York ads that I have long loved. In just moments I found the ads and the name of their creator, Jean-Phillipe Delhomme. It was not a big surprise to learn that Delhomme was French and born in Paris. Mais, bien sûr!

Thanks to Google I discovered Jean-Phillipe Delhomme’s gorgeous web page that has illustrations from many of his projects including Barneys New York, The Mark Hopkins, Le Bon Marche—as well as a video cartoon created by Delhomme. He now illustrates for French Architectural Digest and GQ’s “Style Guy” column.

His paintings and illustrations are sold in New York at the James Danziger Gallery and at Colette in Paris. Phillipe’s work is also available from FIG: Fashion Illustration Gallery in London. I want one of his paintings. I want one bad. Jean-Phillipe, m’entendez-vous ?

As a writer, Delhomme published a novel entitled “Memoires d’un pitbull“, several cartoon books including: Scènes de la vie parentale, &sr=8-2"> Art contemporain , Jean Philippe Delhomme’s World , Design Addicts and a children’s book Visit to Another Planet. A new book, “The Cultivated Life” by Delhomme will be released in the U.S. in February 2009 and can now be pre-ordered on Amazon.com.

I might have to buy two copies of each of Delhomme’s books;
I will get one for the coffee table and one to take the pictures from his book, frame with pine frames bought at Ikea and hang them on my one- bedroom condo’s white and empty walls. But, I will not get two copies of Delhomme’s novel, “Memoirs of a Pit Bull” even though one reviewer said of the book: “un roman drôle, qui laisse réfélchir sur la vie dans les banlieux, ainsi que tous ces “faux méchants.” Ecrit avec beaucoup d’humour.” I do enjoy un roman drôle.

Oh, and there is also a Delhomme candle available at Collette and developed by Les Nez de Givaudan so my home can smell chic, witty, whimsical and French.

I am not sure if any of Delhomme’s books contain the ads from the Barneys New York ad campaign—but I really hope so. As much as I love Jean-Phillipes’ images on their own, the ones I really love are the images with the text. And, it turns out that it was Glenn O’Brien, then one of the creative directors at Barney’s New York and now the author of GQ’s “Style Guy” column, and not Delhomme, that was responsible for the witty words on the illustrations. According to Delhomme’s website, O’Brien’s humorous words were intended to describe the goings on of Barneys’ self-conscious customer. Oh, and the title from todays post comes from one of my favorite Barneys ads, “She had multiple identities and each one of them had a credit card.” I think I like it so much as one of my identities has an American Express Centurion Card and the other one is more of a Costco card kind of gal.

[youtube=http://www.youtube.com/watch?v=Ut-8NHdWLSg]

“Talking about art is like dancing about architecture”

I only wish I could dance about architecture but as I cannot I will write about architecture instead. I went to the Los Angeles Broad Museum on Sunday. I had been looking forward to it for months. I am a huge fan of contemporary art and I was giddy at the idea of L.A. having a museum built by Renzo Piano that would be a home to an important permanent collection. Sure, the Los Angeles County Museum of Art has had some important contemporary art shows—but there was something about the buildings that would not allow for enormous works by Richard Serra or large installations by Mike Kelly.

I had seen a few pictures of the Renzo Piano addition to LACMA while I was in Austin but I tried to avoid reading too much about it. I didn’t want someone with more architectural insight and with paid opinions to tell me how I should feel about the Broad.

I had gone to the Menil in Houston where two of the buildings had been designed by Piano and the architecture and art work were a spiritual experience I will never forget. The light and numinousity of the Cy Twombly gallery are not unlike the spacious canvases created by Cy himself. The space that Piano created in Houston is one that sets a mood of reverence and introspection. It is a museum thats space stayed with me long after we left.

When we drove down Miracle Mile I was expecting an architectural miracle what I saw instead was a large building that displayed huge banners. A pair of fabric scrims four stories high seemed to my eye a bit of a distracting dress put on a very large pig. I tried to reserve judgment and still had hopes of being dazzled. I have since learned that the banners were projects by an artist I love, John Baldessari. I, however, did not like the Christo like foo-foo that covered the facade.

Before I go on, let me say, I am no expert on architecture. I have no education or training. What I have is a strong felt sense about buildings. To me, architecture is a little like falling in love. You know it when you feel it. And, you also know when you don’t. I love beautiful buildings and how I feel when I see them and enter them. So, as I am not an expert—and even if I was, I advise you to feel free to absolutely ignore me and listen to experts and what they think of these buildings—or you could listen to yourself.

All that said, my feelings about LACMA are strong.. I have long loathed the architecture of LACMA. As much as I love the Getty and Disney Concert Hall is how much I do not feel it for the multi-building campus of LACMA. My antipathy is enormous for the Ahmanson Building. Yes, it is a building that is aware of the light of L.A. and it certainly does not outshine the art. But, the structure is somehow institutionally dreary and drab. And, there are the columns that try to communicate some kind of mythic gravitas while looking beachy and contemporary. They look, to my eye, like bars painted the colour of hospitals and institutions; the tall and imposing columns seem to keep the art in and the people out. The squares of light stone and stripes of blue-green seem an unsuccessful homage to a Diebenkorn painting or to the David Hockney palette of turquoise blue pools and beige blocks of concrete—only seriously subdued. All that is missing in the homage to Hockney is a beautiful Californian boy about to dive off a diving board into a unmoving pool with a background of sprinklers sparkling on green grass— only I would much rather look at a Hockney painting than the bland architectural equivalent.

Then there is the Art of the Americas building which is an art deco meets Lego-like structure. The surfaces of this building shine as bright as a celebrity’s capped smile. Large shiny blocks of white are the antithesis of the organic blocks of white stone at Meier’s amazing Getty on the hill or the subtle stone of the Menil or even the Broad. Then there are the postmodern columns of green and the whimsical art deco like patio that makes me wish I was playing SimCity( when I play SimCity, I love knocking down parts of town that dare to go brown. This is a museum that I would knock down—but I would first carefully remove all the artwork).

The worst element of this building, in my mind, is an angled wall off the Art of Americas Building that is like an ornamental and incongruent glass wall that jets off the back of the building like a last minute addition. This wall looks like it was intended for backdrops for fashion shoots. Truly, glass blocks give me hives. Every Realtor I have ever worked with will tell you that I feel about glass blocks the way Joan Crawford felt about wire hangers. And, I do not even know what to say about the Pavilion for Japanese Art except that it looks like an Epcot-ian like satellite of the LACMA campus.

We passed through the courtyard that sits between the Ahmanson and the Broad and I started to feel an unexpected anxiety. First, I saw a large structure that looked like an enormous service station that could house several semi-trucks. I have since learned that this is called the “entrance pavilion”. It was a nice place to escape from the L.A. light as ducked under the facade and purchased our tickets to enter the museum.

I looked up to the Broad, as there is no way that this building can be looked at without tilting your head, and what I saw in front of me was an escalator that took patrons up four flights in an Ikea like escalator. I do not want my architecture to remind me of Ikea.

Now, let me say before I go any further, I love the color red. Red is my favorite color. I love it so much that my hair is red, my lips are red and I have dozens and dozens of red shoes. Even my nom de blog has the word “rouge” in it. However the red accents of steel and stairwells, that Piano used to outline the white-whale sized sound-stage of the Broad, seemed disturbingly
commercial. And, when I say commercial I mean “McDonald’s” or “In and Out Burger’s” and not a Museum of Contemporary Art. The exterior steps, the escalator and the red lines feels like a nod to the more ebullient and energetic Centre de Pompidou which is also a Piano structure.

I have another issue with the Broad, there is no entrance to it from Wilshire Boulevard which seems like an outright rejection of its environment. What comes to my mind as I see the doorways absence is the image of a child covering its eyes and expecting that no one can see them just because they cannot see. Piano did create some windows that overlook Wilshire. And one of my favorite sitting places was at a Wilshire window on the first floor that sits in a walkway between two Serra’s. Sitting on a bench in the light of the Wilshire window made me feel like I was in an Ed Ruscha painting.”Women sitting in window, No.1.”

Once off of the Ikea like escalator we arrived on the top floor and were met with a myriad of amazing views and a patio that was cantilevered and hence without foundation. He-weasel bravely walked out onto the protruding patio. I was more cautious and asked to take his arm to go to the edge. As He-weasel bravely bent over the edge of the patio so he could take pictures for my blog, I came to realize that the Broad’s exterior spaces are about small vistas and vignettes and is free of a grand entrance and/or a grand space to commune( other than the gas station like open space without a place to sit). There is no major city center in L.A., it is huge and spread out and there is not just one L.A. but multiple L.A.’s and in that in that way the Broad is representational of its context and in that way it might have succeeded. In the outer spaces of the Broad, like in L.A., I feel a sense of isolation and separation, but that could just be my issue.

The door into the Broad opened with some kind of high tech cantilever thingymajoo that was strangely impressive and still quietly elegant—I would expect nothing else from Piano. The first thing I noticed upon entry was a glass elevator that was walled by a Barbara Kruger elevator that was not working. Now, I am not going to address the incredible art inside the Broad—I will save that post for another day.

After walking away from the Kruger elevator I turned to the ceiling. I was shocked by the somewhat dim and diffuse light that came through Piano’s signature skylight. I saw that the skylights were muddied and dirty from a recent bit of L.A. rain. I was also struck by how few people were there. The place was empty. Really I saw no more than a dozen people in the entire museum. Why is that? It was a Sunday. Isn’t the day that people go to museums? Where are the people? Are they at the mall or the movies? I remember going to museums in Sundays in NYC and there would be crowds. L.A., there is a museum here!

That was the very last thought I had about the museum while I was there. The art took over. I think I did have thoughts about how fabulous it is to have a museum that can hold not one but two Richard Serra masterpieces. I think it is obvious that I prefer Piano’s Menil museum to his Broad approach. Oh, and the Menil is free and it was a $12 for adult admission to LACMA. However, admission is whatever you want to to pay if you visit after 5 p.m. And, on the second Tuesday of each month, general admission to the permanent galleries and non-ticketed exhibitions is free. Please, dear reader, do not let my feelings about the architecture stop you from visiting. This is an amazing museum with a fantastic and breathtaking collection of contemporary art which I will write about later this week.

Pictures:
1. Photo of the facade of the Broad taken by Me-weasel.
2. Photo of the Menil Cy Twombly Gallery in Houston, Texas taken by He-weasel.
3. Photo of the front of the Broad Museum comes from Bloomberg.com
4. Photo of a Hockney painting comes from here.
5. Photo of the dreadful glass brick wall was taken by Me-weasel.
6. Photo of the Entry Pavilion comes from here.
7. Long shot of the Broad taken by Me-weasel.
8. Photo of the bench and window on the first floor taken by Me-weasel.
9. Photo of the escalator of the Broad taken by Me-weasel.
10. Photo of the entryway to the Broad comes from here.

And, the title of today’s post is a quote by Steve Martin. I love a man who is funny, writes well and who ha
s a passion for modern art
.

Go to your happy place

Youareabeautifulblogger

The word “belette” has two meanings en francais. It literally translates to “little beauty.” “Belette” also means weasel. I can assure you that I identify with the second meaning and not the first. Not that weasels aren’t beautiful, they are! It’s just I am having some ugly days lately.

Truly, I had a couple of days this last week when I felt that it was best if I kept a towel over the mirror and perhaps over my head. I have been hating my hair, hips and hiney. My self-loathing is usually contained to “that time of the month”. This month it has expanded long past PMS and into ovulation and into cycles yet un-named.

As if to challenge my sense of ugly, I received the “You are a beautiful blogger” award from the extremely lovely Seeker. As beauty is in the eyes of the beholder, who am I to argue with Seeker? I am sincerely grateful for this beautiful award and I am absolutely thrilled if Seeker finds any beauty in my blog. I certainly find it in hers. Seeker and her blog “Searching for the Inner Me” is a blog that celebrates self-discovery and exploration. Do not be fooled into thinking her blog is just about fashion. There is a depth of beauty to Seeker’s blog that is available to those willing to see beyond her amazing sense of fashion and fun.

Hammiesblog, a blogging beauty herself, created this innovative award for blogs that have “Beautiful thoughts, Beautiful words, Beautiful pictures.” Winners of this award, according to Seeker, are those who find beauty in the world, make beauty for the world, and talk about beauty in all its permutations.

I am choosing two beautiful blogs to bestow this award to that I have never before shared with you. Before I do I will share a seemingly unrelated story. Many years ago after a particularly horrible experience on the 405 freeway I developed a fierce case of freeway phobia. This is not a good thing to have in L.A. where every road leads to a freeway. After a few weeks of trying to take surface streets from the South Bay to Venice( those of you who live in Los Angeles know what a epic ordeal that is) I decided to see an EMDR therapist to help me get over the extreme fear I felt when I thought of the 405.

When I saw my uber-chic EMDR therapist for the first time she asked me to create a “happy place” I could go to as a way to begin and end our sessions. I wanted to keep my eyes open and look at her minimalist chic suite as my source of inspiration. With Lilith like coolness she instructed me that I needed to close my eyes and find my own internal happy place. I cruised through the usual imagery of rest and relaxation. First I went to the beach but I felt all hot, sandy, sticky and in danger of burning. Then I went to a verdant forest and then I started to imagine that there might be some dark danger lurking out of my field of vision. Open meadows provoked anxiety about bees. Hammocks hanging in the breeze brought up a fear of falling. It took half the session to come up my perfect happy place that was danger free. Finally I arrived at two. I thought of the Hotel el Minzah I had once stayed at in Tangier, Morocco. The majestic old hotel, in the middle of Tangier with its other-worldly interiors, created a sense of calm like no meditation or Enya Cd ever could. Other days, as we began our work I would turn to post-card like memories of Paris filled with a beauty that calmed me when I was done imagining the feelings I felt when on the freeway.

What I created in my mind in my was imagery that is not so different from the imagery of these two gorgeous blogs. Truly, when I went to these blogs the first thing I thought of was my “happy place”.

An Indian Summer
Bhavna has created a gorgeous blog that features beautiful posts about Eastern and Asian design. An Indian Summer “showcases the good, the better and the best from the world of interior designing–covering styles, trends, furniture, accessories, products, designs, architecture, and related good stuff…with special focus on Asia and India!” When I visit Bhavna’s blog I feel as if I am taking a vacation from the ordinary into the realm of the extraordinarily exotic. Just looking at the pictures of all the interiors that I may never have I feel a sense of peace. If I light a stick of sandalwood insense and breath deeply I feel as if I am just one cup of Morrocan mint tea away from enlightenment.

Tongue in Cheek
The blog of this gorgeous expat is like looking into a gilded window of la vie francais. Visiting Corey’s beautiful blog is not unlike watching French Kiss. There are some significant differences between Corey and Kate, as played by Meg Ryan. Corey, instead of being a neurotic and airplane phobic Canadian school teacher, is a talented blogger with a passion for creating a beauty in her home, her life and her blog. Corey’s French husband has nothing in common with the bumbling and sociopathic Luc as played by Kevin Kline. Okay, there may not be a lot of similarities between ‘Tongue in Cheek” and “French Kiss” except they both tell the stories of living and loving in France and that I love them both.

Corey says of her blog: My tales are woven from my experiences of living and loving France. Mostly stories collected at the, marché aux puces, (flea market,) in the south of France. Tales of linens, letters, vintage scraps, and moments of these worn true objects whispering in my ear….life is too short to say no…I left a beautiful country on a yes for love…love has lessons that nothing better can give. A leap of faith has given me many adventures- most I never dreamt possible!

In just ten sessions of EMDR my freeway phobia was cured and I was once again happily spending two to four hours a day on the freeway breathing in fumes and dreaming of my “happy place”. I am not promising you that if you go to these two beautiful blogs you will be cured of anything. But, I promise you that you will see beauty—or at least my idea of beauty.

I would love it if you would share with me your “happy place.” Go on, close your eyes and tell me what you see. A stone cottage? A Moroccan wonderland? Or, someplace else altogether?

[youtube=http://www.youtube.com/watch?v=NMYzJ4CArXg]

Oh, and for the Beautiful Bloggers,”An Indian Summer” and “Tongue in Chic,” here are the rules of this award:
1. The nominated is allowed to put the picture on the blog.
2. Share the love and link back to both the person who awarded you and back to the person who found this award to "http://hammie-hammiesays.blogspot.com/" target="_blank">Hammiesblog.
3. Give it to two bloggers and link to them.
4. Leave a message on those people’s blog to make them aware that they’re nominated.
5. You are free to pass it on again, when you are “inspired” by a beautiful post or a beautiful blog.

Miss him much

inkey for halloween

I miss sleeping with my legs bent so he could sleep on the edge of the bed more comfortably.

I miss him crawling on my keyboard or my book or on my black sweater I had laying out to wear.

I miss how he would greet us upon our return home by flopping on his back and showing us his beautiful tummy as if to say, do you see what you have been missing.

I miss the baby Inkey cry he would make when he first woke up.

I miss the game he loved to play. I would give him little pats on his back three times and then he would meow. We did this over and over to the point if I tapped the sofa three times he would meow. It was a game of call and respond and he always would.

I miss how he loved to be held like a baby. I miss the feel of him in my arms. Oh, and the soft sweet tummy fur that he would sometimes let me kiss.

I miss how emptying groceries always turned into a photo-op. No bag would be empty long with Inks around.

I miss how he loved me to rub his nose and how sometimes it made him sneeze.

I miss never being home alone.

I miss Monsieur Inkey.

About Me

My name is Tracey, aka La Belette Rouge. I am a psychotherapist and the author of Freudian Sip @ Psychology Today. I blog about psychology, my therapy, dreams, writing, meaning making, home, longing, loss, infertility and other things that delight or inspire me. I try to make deep and elusive psychodynamic concepts accessible and funny. For more information, click here .

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